The pcm60 and 70 in the rack both do the lexicon sound in a much more rich and pleasing way. The Oxford sounds more natural and does a lot of what the lex is trying to do. I don’t really use any other reverb plugins lately - used to use lex pcm a fair amount but I’m not crazy about it. A lot better than people give it credit for, and I think it’s because the interface is so different it is less easy to get where you want to go. The fact that it’s aax dsp is nice and it sounds very, very good. We have a bricasti in the rack that gets used on every session, and the plugin is not a complete substitute since we are constantly editing parameters, but for a few certain things, like studio b far, it’s perfectly fine to use as is. Mine defaults to studio b far and I never change it. Probably best value reverb plugin for me is the cheaper seventh heaven.

Can't wait for Aether and B2 to have the kind of CPU efficiency, don't need anything other than that. The decision to get Andrew involved is a very well thought move. Breeze has a lift-up character which I adore, especially for modern new age music. To me his JD-990 sounds great for new age music, which is still relevant even up to now. As a fan of Andrew Schlesinger since his work for the JD-990 expansions, so great that he took part in doing the Spatial Creatives expansion. Not to mention the integration with Precedence. Which greatly compliments both Aether and B2. It's kind of my imaginary reverb, as if the 224 has a HD Cart.

What unique about it is that to me sometimes it sounds like a modern version of Aether, on the other side it sounds like a modern - simplified B2. It defines the greatest value in a quality/CPU/price/flexibility ratio and can simply be a desert island reverb. As much as I love using Aether and B2, during WFH with limited access to the studio PC, Breeze 2.5 is amazing with a less powerful PC.

Artsacoustic reverb free